BALLO DEL GRANDUCA PDF

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The theme of the composition, later known as "Aria di Fiorenza" or "Ballo del Granduca", quickly gained renown in Europe and became the basis for at least other songs, contemporary and later. Inspired by this theme, several composers produced variations , including Adriano Banchieri , Giovanni Girolamo Kapsperger , and Jan Pieterszoon Sweelinck. It is not clear, however, whether the variations on "Ballo del Granduca" attributed to Sweelinck are completely his work.

Because some of his students, such as Samuel Scheidt , added variations to his different compositions Scheidt and Sweelinck, in Pavana Hispanica, combined a series of alternating variations , some scholars hypothesize that Sweelinck wrote parts of Ballo del Granduca, but Scheidt also contributed.

Structure[ edit ] The style of the composition is influenced by the two major currents of the period: Italian polyphony and the technique of English virginalists. From the Italian style Sweelinck assimilated the beauty of counterpoint , while from the virginalists he developed the virtuosity of passages, arpeggios , and fioriture ornamentation.

The dance includes a theme although the score labels it 1e Variatie and four variations or five, if we count the theme as a first variation. The theme of the composition, which forms the basis for the variations, offers the improviser considerable of freedom.

It consists of a series of five short musical phrases lasting four beats each, basically in chords , each one concluded by a cadence. The first variation shows several passages for the right hand with eighth notes and sixteenth notes , while the left hand performs an accompaniment in chords with two and three voices. In the second variation the hands are reversed: the right accompanies and the left plays the melody.

The third variation contains most of the semicircular passages typical of the Sweelinck style. The piece ends with the fourth variation, the most challenging, where the right hand constantly performs third and sixth chords.

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BALLO DEL GRANDUCA PDF

Prendendo come modello questo tema realizzarono variazioni, fra gli altri, Adriano Banchieri , Giovanni Girolamo Kapsberger e Jan Pieterszoon Sweelinck. Dato che alcuni suoi studenti, come Samuel Scheidt , aggiunsero variazioni a diverse sue composizioni Scheidt e Sweelinck, nella Pavana Hispanica, composero insieme una serie di variazioni alternandosi , alcuni studiosi ipotizzano che parte del Ballo del Granduca sia di Sweelinck, ma che anche Scheidt abbia contribuito alla composizione. Struttura Modifica Lo stile della composizione risente delle due maggiori correnti del periodo: la polifonia italiana e la tecnica dei virginalisti inglesi. Il ballo comprende un tema anche se lo spartito reca la dicitura 1e Variatie e quattro variazioni o cinque, se appunto si considera il tema come una prima variazione. Si compone di una serie di cinque brevi frasi musicali della durata di quattro battute ciascuna, fondamentalmente in accordi , concluse ciascuna da una cadenza.

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Sweelinck: Ballo del Granduca

The theme of the composition, later known as "Aria di Fiorenza" or "Ballo del Granduca", quickly gained renown in Europe and became the basis for at least other songs, contemporary and later. Inspired by this theme, several composers produced variations , including Adriano Banchieri , Giovanni Girolamo Kapsperger , and Jan Pieterszoon Sweelinck. It is not clear, however, whether the variations on "Ballo del Granduca" attributed to Sweelinck are completely his work. Because some of his students, such as Samuel Scheidt , added variations to his different compositions Scheidt and Sweelinck, in Pavana Hispanica, combined a series of alternating variations , some scholars hypothesize that Sweelinck wrote parts of Ballo del Granduca, but Scheidt also contributed. Structure[ edit ] The style of the composition is influenced by the two major currents of the period: Italian polyphony and the technique of English virginalists.

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