EV ZXA1-90B PDF

The ZXA is powered by a W 2-channel amplifier; crossover frequency is at 1. A user-selectable Hz high-pass filter allows for use with a subwoofer or ideal when using at a monitor wedge broadcasting primarily midrange instruments, vocals, etc. A line-level XLR output microphone and line level summed together is also included, which is ideal when daisy-chaining more ZXAs, other speakers, or a subwoofer together. A second rotary pot in addition to the mic gain control allows independent adjustment of master volume.

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The ZXA is powered by a W 2-channel amplifier; crossover frequency is at 1. A user-selectable Hz high-pass filter allows for use with a subwoofer or ideal when using at a monitor wedge broadcasting primarily midrange instruments, vocals, etc.

A line-level XLR output microphone and line level summed together is also included, which is ideal when daisy-chaining more ZXAs, other speakers, or a subwoofer together.

A second rotary pot in addition to the mic gain control allows independent adjustment of master volume. Two LEDs indicate power on and transducer protection limiter on statuses, respectively. A well-positioned handle resides at the top of the rear panel, making two ZXAs easy to carry. But upon powering them up and checking vocal and guitar monitor levels through the ZXA pair provided for this review, the chuckling ceased. I found the ZXA pair to be great stage monitors for club dates. This environment proved to be another ideal setting for these speakers.

With the same musicians, but at a small outside event, we used a stick-style PA as a main Fishman SoloAmp , with the two ZXAs serving again as wedges. Again, the E-Vs served very well as monitor speakers, allowing two different musician-tweaked levels per cabinet and comfort for all — audience and performers.

Two other qualities of this ZXA pair specifically struck me. Having used numerous small powered PA speakers over the past decade, the first is how user-friendly they are, from the intuitive rear panel, to their easy-to-pack size and weight, to their performance-based flexibility to fit numerous gigs.

And two, their polystyrene enclosures — which I normally dislike because of a tendency to easily scratch in even careful, normal use — seemed to be far harder to mar than most comparable speakers.

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